What’s with the Key Marco Cat? In 1896 an archaeologist named Frank Hamilton Cushing led a Smithsonian expedition into a muddy pond on the edge of this island and pulled out one of the great treasures of American archaeology. The waterlogged, airless muck had preserved what almost never survives: wood. More than a thousand carved wooden objects came up — masks, animal figureheads, tools a thousand years old — and among them a six-inch statuette of a kneeling, half-human, half-panther figure. Many of the other wooden objects, preserved only by the airless muck, dried out and fell apart soon after they reached the surface — which is part of why the surviving Cat is treasured as it is. The Key Marco Cat is now counted among the finest works of pre-Columbian art in North America. It sits today in the island’s history museum, on loan from the Smithsonian — a small wooden cat that has watched over Marco’s story for a thousand years.
Look at Marco from the air and you see a town laced with water — thousands of homes on navigable canals, a whole island engineered for boats. That is the work of three brothers. In the 1960s, Elliott, Robert, and Frank Mackle and their Deltona Corporation bought the island, dredged the mangroves into a grid of waterways and waterfront lots, and sold the dream of a planned island paradise to middle-class America. Marco opened to the public in 1965, drew tens of thousands to its grand opening, and a bridge soon linked it to the mainland. The quiet fishing island became one of Florida’s most sought-after addresses almost overnight.
Why People Visit Marco Island
Marco Island rewards visitors who want wide white sand, warm shallow water, and shells underfoot, with a rare depth of history close by. Add the boat trips into the Ten Thousand Islands and the year-round Gulf sun, and the case makes itself.
